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Gargantuas I don't expect anyone to read these blog posts, but I wanted to write them down for my own enjoyment and maybe posterity. Someone may stumble upon them. I am going to review and comment on films in my large library of DVDs of sci-fi, horror and cult titles. I've been collecting movies that I enjoy and recently getting them on DVD (and even converting some of them myself to digital) and phase out all the VHS titles. So I decided to just start at the beginning of the shelves of DVDs--none of which are grouped into any particular order, with the exception of my old skool Doctor Who DVDs (sorted by Doctor). So the first one I watched last night was "Frankenstein Conquers The World."

This film has always been a favorite of mine. I first saw it in a drive-in in the early 1970s,* right after “Destroy All Monsters.” Despite it’s somber and low-key beginning with a flue playing the main theme song by Akira Ifubuke, it’s incredible finish showing a giant Frankenstein throwing around Baragon is an amazing transition over 90-some odd minutes!
The story essentially is that the Frankenstein monster’s heart is shipped to Hiroshima, Japan—on the same day the city is nuked by the US. Despite the devastation, a small “child” is seen in the ruins of the city for years. Since the monster’s heart is immortal, it absorbed radiation and was able to re-generate itself into a full human being. (There is some speculations from reviewers that a child ate the heart and then began to grow into Frankenstein, but that would not explain why the being is Caucasian and not Japanese) Then, in 1960, the “boy” (now more like a teenager) is captured by a research center headed by Dr. Bowen (Nick Adams) where he continues to grow and grow…and grow! He breaks out and runs to the mountains to try and live in peace but the military keeps after him. At the same time, another monster, a prehistoric subterranean monster called “Baragon,” appears in select locations eating people, chickens, horses—you name it. Never seen during the day, people blame Frankenstein for the killings.
Finally, the two monsters meet up for a classic death battle in the mountains; a thinking human monster versus a huge laser-breathing dinosaur.
Like most Japanese films imported to the US, there were some changes made, under the supervision or both Toho and American producer Harry Saperstein. Nick Adams and Kumi Muzino have a great on-screen relationship that it’s easy to see that Adams was enjoying his experience on the set. There were a few edits made in their dinner date and the trip out to the beach to keep it more platonic. The big difference is in the endings. While Frankenstein kills Baragon and then sinks into the ground during an earthquake, the Japanese version features a giant octopus crawling out of a crevasse, grabbing Frankenstein into the ocean and drowning him (which sets up the semi-sequel, “War of the Gargantuas” – kind of)
There was also a strange edit made in the American version. When Frankenstein peeks in to see Mizuno in her apartment, he reacts when he hears the police sirens and tosses a lamp post into their path, destroying the car. It’s rather obvious that this was filmed somewhere else and it is NOT the same actor in the Japanese version. The scenes are similar, but instead of the slowed down crash of the police car, it’s highly-revved up and the car just jeers off the street. Very strange, but the needs for the edit are unknown.
You see a lot of the familiar Toho contract players in this film and Adams really brings a sense of sympathy to the victims of Hiroshima in his character of Dr. Bowen, trying to help those who are still suffering from the effects of radiation.
Despite the corny title of “Conquering the World” with Adams holding a machine gun in the US ads (which never happens), I highly recommend this film but keep in mind the era of which it is placed. I wonder also how much or how did Toho secure the rights of the “Frankenstein Monster” from Universal? The name “Frankenstein” is public domain, but if your creation is going to have a flat head like Karloff’s, that’s Universal’s copyright.
* My mom drove me to the drive-in since I was too young to drive and there were usually these giant Japanese monster film fests held every 6 months or so. We arrived just in time to watch the climactic battle between King Ghidorah and the Earth Monsters from “Destroy All Monsters.” I remember very fondly that my mom laughed out loud when Minya blew a smoke ring around one of Ghidorah’s necks. Then she snoozed the time away while I watched this film, “Reptilicus” and another monster film. She passed away in the summer of 2012 and I will always be grateful she took the time to take me to watch these movies at the old drive-in.